K-pop superstars Stray Kids and Jimin make a splash atop the Billboard 200 (dated Aug. 3), as the acts’ latest albums, ATE and MUSE, debut at Nos. 1 and 2, respectively. In turn, it marks the first time the top two on the Billboard 200 are K-pop (Korean pop) albums.
Further, ATE lands Stray Kids their fifth No. 1 in a row, making the act the first group ever to debut at No. 1 with their first five charting albums. They previously opened atop the chart with ODDINARY, MAXIDENT (both in 2022), ROCK-STAR and 5-STAR (both in 2023).
The only other artist to debut at No. 1 with its first five chart entries was rapper DMX in 1998-2003 with It’s Dark and Hell Is Hot (1998), Flesh of My Flesh Blood of My Blood (1999), …And Then There Was X (2000), The Great Depression (2001) and Grand Champ (2003).
ATE arrives with 232,000 equivalent album units earned in the U.S. in the week ending July 25, according to Luminate. That’s the largest week of 2024 for any K-pop album, and the sixth-biggest debut for any album this year. MUSE moves in with 96,000 units, and gives BTS member Jimin his second solo album to reach No. 2 (after last year’s FACE).
Also in the top 10 of the new Billboard 200, the Twisters soundtrack debuts at No. 7 with 57,000 equivalent album units earned. The country music-heavy album is the first soundtrack to reach the top 10 in 2024, and it does so with the year’s biggest week, by units earned, for any soundtrack. Further, it’s the first country soundtrack from a theatrical film to reach the top 10 in over a decade.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Aug. 3, 2024-dated chart will be posted in full on Billboard‘s website on July 30. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Of ATE’s 232,000 first-week units, album sales comprise 218,000, SEA units comprise 13,000 (equaling 19.05 million on-demand streams of the set’s songs) and TEA units comprise 1,000. With 218,000 copies sold, ATE is the top-selling album of the week, debuting at No. 1 on Top Album Sales. It also nets the largest sales week for any K-pop album this year and 2024’s second-largest sales week for any album of any genre (trailing only the 1.91-million sales debut of Taylor Swift’s The Tortured Poets Department). ATE’s sales were bolstered by its availability across 11 different CD variants, all containing collectible items like photocards, stickers and posters (some of which was randomized), including signed editions, as well as variants exclusive to Barnes & Noble, Target and Walmart.
As ATE is mostly in the Korean language, it is the 25th mostly non-English-language album to hit No. 1, and the second of 2024. On the March 9-dated chart, TWICE’s With YOU-th garnered the group its first leader when it opened at No. 1. Of the 25 mostly non-English-language albums to reach No. 1, 16 are mostly Korean, five mostly (or all) Spanish, one mostly Italian, one entirely French, and two mostly a blend of Spanish, Italian and French. Of the 25 almost all non-English-language albums to reach No. 1, 21 have topped the chart since 2018 (the year that K-pop superstars BTS scored their first of six No. 1s, with the chart’s first Korean-language No. 1s). Further, of the 16 K-pop albums that have reached No. 1, Stray Kids and BTS account for 11 (five and six, respectively).
Speaking of BTS, the group’s Jimin sees his latest solo project MUSE bow at No. 2 on the Billboard 200 with 96,000 equivalent album units earned. Of that sum, album sales comprise 74,000 (aided by its availability across nine CD variants, containing collectible posters, photocards and stickers; inclusive of exclusive editions sold at Barnes & Noble, Target and Walmart), SEA units comprise 15,000 and TEA units comprise 7,000. In 2023, Jimin’s first solo charting set, FACE, debuted and peaked at No. 2.
MUSE was preceded by the Billboard Hot 100-charting “Smeraldo Garden Marching Band” (with Loco), which debuted at No. 88 on the July 13-dated list.
Eminem’s The Death of Slim Shady (Coup de Grâce) falls to No. 3 in its second week with 79,000 equivalent album units earned (down 72%) after debuting at No. 1 a week ago. Swift’s former leader The Tortured Poets Department is a non-mover at No. 4 with 74,000 units (down 9%); Zach Bryan’s The Great American Bar Scene slips 3-5 with 71,000 (down 19%); and Morgan Wallen’s chart-topping One Thing at a Time dips 5-6 with 65,000 (down 2%).
Twisters: The Album debuts at No. 7 on the Billboard 200 with 57,000 equivalent album units earned — marking the first soundtrack the reach the top 10 in 2024 and the year’s biggest week, by units, for any soundtrack. Of that sum, SEA units comprise 40,000 (equaling 52.85 million on-demand official streams of the set’s 29 songs), album sales comprise 14,000 (it was available to purchase a digital download, CD and in three vinyl variants) and TEA units comprise 3,000.
The country music-heavy project is the companion album to the film Twisters, which blew into U.S. movie theaters on July 19. The film is a standalone sequel to 1996’s Twister, which boasted a rock-focused soundtrack (peaking at No. 28 on the Billboard 200).
The Twisters album features a wealth of new original material from country stars including Luke Combs, Jelly Roll, Miranda Lambert and Lainey Wilson, and was preceded by three charting hits on the Hot Country Songs chart (Combs’ “Ain’t No Love In Oklahoma,” Bailey Zimmerman’s “Hell or High Water” and Tyler Childers’ “Song While You’re Away”). Twenty of the album’s 29 songs appear in the movie, and over half of the album’s tracks were released over the course of the 10 weeks leading up to the set’s drop on July 19.
Twisters is the first country soundtrack to reach the top 10 since the Jan. 4, 2014-dated chart, when The Robertsons’ TV soundtrack Duck the Halls: A Robertson Family Christmas closed out its last week in the top 10, having peaked at No. 3 the previous November. As for country soundtracks to theatrical films, like Twisters, the last to reach the top 10 was Country Strong, which peaked at No. 6 on the Jan. 29, 2011, chart. The last country soundtrack from a theatrical film to debut in the top 10, like Twisters, was Hannah Montana: The Movie, which bowed at No. 2 on the April 11, 2009, chart, later reaching No. 1 on the May 2 list. (Soundtrack and country albums are defined as those that are eligible for, or have charted on, Billboard’s Soundtracks and Top Country Albums charts, respectively.)
Closing out the top 10 of the new Billboard 200 is Chappell Roan’s The Rise and Fall of a Midwest Princess (falling 7-8 with 54,000 equivalent album units; up less than 1%), Billie Eilish’s Hit Me Hard and Soft (6-9 with nearly 54,000; down 5%), and Noah Kahan’s Stick Season (holding at No. 10 with 43,000; up 10%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
